Carmen has a strong erotic aura in the excellent performance of mezzo-soprano Stine Marie Fischer. Above all, the expressive timbre in the middle range and chest voice make it an ideal cast. In a highly dramatic tone, Stine Marie Fischer admits to her unrestricted freedom in her glamorous debut Carmen renewal of Carmen at the Opera Stuttgart, onlinemerker Alexander Walther, 30.09.2019
In the 2019/20 repertory season at the Staatsoper Stuttgart, Stine Marie Fischer will be performing the role of Carmen in Bizets Carmen and will be featured in two new productions as Holofernes in Vivaldis Juditha triumphantes and as the Innkeeper/ The wife of the collaborator in Mussorgsky / Newski Boris
Stine Marie Fischer has been a member of the Stuttgart State Opera's ensemble since the 2015/16 season. She made her debut with the house in roles such as Polina in Tchaikovsky’s The Queen of Spades, Bradamante in Handel's Alcina, Page in Strauss' Salome, Maddalena in Verdi's Rigoletto and Maid in Boesmans’ Reigen, Princess Clarice in Prokofiev's The Love for Three Oranges and as Dryade in Ariadne on Naxos, Annina in Der Rosenkavalier by Strauss, for which she was nominated as Young Vocalist (Nachwuchssängerin) by the German magazine Opernwelt’s 2015 yearbook. Since the 2010/2011 season, Stine Marie Fischer has been guest-starring at the Frankfurt Opera: in Mozart's The Magic Flute, Reimann’s Die Gespenstersonate (The Ghost Sonata), Strauss’ Ariadne on Naxos, Verdi’s Rigoletto, Wagner’s Die Walküre, and in An unserem Fluß (Novak, world premiere in 2015).
In 2013, she debuted at the Monte Carlo Opera as Flosshilde in Wagner’s Das Rheingold, in 2015, at the Théâtre Royal de la Monnaie in Brussels, and in 2017 at the Deutsche Oper am Rhein (German Opera on the Rhine) in Düsseldorf-Duisburg, and the Staatsoper Berlin (Berlin State Opera). In 2019 she return at the Théâtre Royal de la Monnaie in Brussels in the production of Rimsky-Korsakov The tale of Tsar Saltan.
In 2011, Stine Marie Fischer sang the alto solo in Bach's St John Passion during the Stuttgart Bach Week under the musical direction of Helmut Rilling. Her concert repertory also includes H. Bach’s Lamento, Beethoven’s Symphony No. 9, Dvořák’s Stabat Mater, Handel’s Messiah, Rossini’s Petite Mass Solennelle. In 2015, she made her debut at the music festival Festspiele Mecklenburg-Vorpommern and then, in 2019 the gave he debut at the Elbphilharmonie with the Hamburger Symphonikern.
Stine Marie Fischer has worked with directors such as Dimitri Tscherniakov, Andrea Breth, Brigitte Fassbaender, Nicola Hümpel, Armin Petras and Jossi Wieler, and she has been accompanied by orchestras such as the Deutsches Symphonie-Orchester Berlin (DSO), Frankfurter Museumsorchester, Konzerthaus-Orchester Berlin, Orchestre Philharmonique de Monte-Carlo, and the Orchestre symphonique de la Monnaie. She has performed under the direction of conductors such as Sylvain Cambreling, Giuliano Carella, Alain Altinoglu, Ivan Fischer, Georg Fritzsch, Gianluigi Gelmetti, Michael Hofstetter, Franck Ollu, Helmut Rilling, Marc Soustrot, Lorenzo Viotti, and Sebastian Weigle.
In 2015 and 2017, the magazine Opernwelt nominated the performer in the category Young Artists. ”Stine Marie Fischer, who rightly takes on ever greater tasks in Stuttgart”, Michael Stallknecht NZZ, SZ, Opernwelt
In 2015, the magazine Opernwelt nominated her in the category Young Singer for her performance as Annina in Der Rosenkavalier in Stuttgart, among others.