Curriculum Vitae

In the 2018/19 repertory season at the Staatsoper Stuttgart, Stine Marie Fischer will be featured in two new productions as Princess Clarice in Prokofiev's The Love for Three Oranges and as the 3rd lady-in-waiting in H. W. Henze's The Prince of Homburg. In the same 2018/19 repertory season, the alto will also return to the Théâtre Royal de la Monnaie in Brussels in a new production of Rimsky-Korsakov's The Tale of Tsar Saltan, and to the Frankfurt Opera as Grimgerde in Wagner's Die Walküre. Some concert highlights are: her Elbphilharmonie debut of Debussy Le martyre de Saint Sébastien with the Symphoniker Hamburg under the baton of Sylvain Cambreling, the opening concert Missa in tempore belli by Haydn under the direction of C. S. Rademann and Tippet's A Child of Our Time with the choir of the city of Rostock's St. Johannis church.

Stine Marie Fischer has been a member of the Stuttgart State Opera's ensemble since the 2015/16 season. She made her debut with the house in roles such as Polina in Tchaikovsky’s The Queen of Spades, Bradamante in Handel's Alcina, Page in Strauss' Salome, Maddalena in Verdi's Rigoletto and Maid in Boesmans’ Reigen. She made her debut at the Stuttgart State Opera in the 2014/15 season as the 2nd alto in Rihm’s Jakob Lenz, as Dryad in Ariadne on Naxos, Annina in Der Rosenkavalier by Strauss, for which she was nominated as Young Vocalist (Nachwuchssängerin) by the German magazine Opernwelt’s 2015 yearbook. Since the 2010/2011 season, Stine Marie Fischer has been guest-starring at the Frankfurt Opera: in Mozart's The Magic Flute, Reimann’s Die Gespenstersonate (The Ghost Sonata), Strauss’ Ariadne on Naxos, Verdi’s Rigoletto, Wagner’s Die Walküre, and in An unserem Fluß (Novak, world premiere in 2015).
In 2013, she debuted at the Monte Carlo Opera as Flosshilde in Wagner’s Das Rheingold, in 2015, at the Théâtre Royal de la Monnaie in Brussels, and in 2017 at the Deutsche Oper am Rhein (German Opera on the Rhine) in Düsseldorf-Duisburg, and the Staatsoper Berlin (Berlin State Opera).

In 2011, Stine Marie Fischer sang the alto solo in Bach's St John Passion during the Stuttgart Bach Week under the musical direction of Helmut Rilling. Her concert repertory also includes H. Bach’s Lamento, Beethoven’s Symphony No. 9, Dvořák’s Stabat Mater, Handel’s Messiah, Rossini’s Petite Mass Solennelle. In 2015, she made her debut at the music festival Festspiele Mecklenburg-Vorpommern and then, in 2016, she returned for Mozart’s Krönungsmesse.

Stine Marie Fischer has worked with directors such as Andrea Breth, Brigitte Fassbaender, Nicola Hümpel, Armin Petras and Jossi Wieler, and she has been accompanied by orchestras such as the Deutsches Symphonie-Orchester Berlin (DSO), Frankfurter Museumsorchester, Konzerthaus-Orchester Berlin, Orchestre Philharmonique de Monte-Carlo, and the Orchestre symphonique de la Monnaie. She has performed under the direction of conductors such as Sylvain Cambreling, Giuliano Carella, Ivan Fischer, Georg Fritzsch, Gianluigi Gelmetti, Michael Hofstetter, Franck Ollu, Helmut Rilling, Marc Soustrot, Lorenzo Viotti, and Sebastian Weigle.

In 2015 and 2017, the magazine Opernwelt nominated the performer in the category Young Artists. ”Stine Marie Fischer, who rightly takes on ever greater tasks in Stuttgart”, Michael Stallknecht NZZ, SZ, Opernwelt
In 2015, the magazine Opernwelt nominated her in the category Young Singer for her performance as Annina in Der Rosenkavalier in Stuttgart, among others.